Tag Archives: digitisation

Buffalo Bill’s Wild West in London

Gareth Lloyd, archivist at The John Rylands Library has brought to light a scrapbook containing pamphlets, photographs and various other ephemera related to Buffalo Bill and his wild west shows in Britain during the late 19th and early 20th century. Buffalo Bill (William Frederick Cody) first brought his wild west show to London in 1887 during the Golden Jubilee of Queen Victoria.

The scrapbook was put together by Alfred J. Hipkins and John Hipkins for Jane Souter Hipkins.  The introduction to the scrapbook, written by Edith J. Hipkins records that:  ‘this collection of odds and ends are a memento mori of an exhibition of real life held in London some years ago.  Collected by my brother and carried out by my father for our mother’s amusement’.

From initial research it appears that Alfred J. Hipkins (1826-1903) was a writer on musical instruments and Jane Souter Hipkins was his second wife. Their daughter Edith J. Hipkins was a portrait painter and their son, John (1851-1933) was a wood-engraver.  A portrait of Alfred J. Hipkins painted by his daughter Edith can be found on the National Portrait Gallery’s website.

The Hipkins family became friendly with Buffalo Bill and the performers in the Wild West Show, whilst they stayed in London. Edith J. Hipkins in the introduction to the scrapbook writes of spending a Sunday with Luther Standing Bear, who was part of the show when it came to London.

The scrapbook provides a wealth of research for those interested in history, anthropology, American Studies, race, imperialism and the rise of mass entertainment.

Selected images of pamphlets, postcards and photographs from the scrapbook are now available to view in The University of Manchester Library’s image collection: Buffalo Bill Scrapbook

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Rochester Cathedral’s “Hidden Treasures, Fresh Expressions” project wins £3.55 million in Heritage Lottery Fund support

The original storage box for the Textus Roffensis

The original storage box for the Textus Roffensis

 

The project will use the cathedral’s currently inaccessible and nationally significant archives as a catalyst for the development of exhibitions and workshops in the crypt and library.  These architecturally impressive spaces will be sympathetically opened up to allow access for all. The Textus Roffensis, older and considered by some to be a more significant document than the Magna Carta, is currently locked away for safety in the archives of Medway Council.  The project will make the Textus the jewel in the crown of an imaginative and dynamic treasury. For more info click here.

The CHICC team would like to send a huge congratulations to the team at Rochester Cathedral, on what promises to be a very exciting project!

(see below for a selection of image taken by CHICC at Rochester Cathedral – click on the thumbnails to see larger images)

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St Christopher Woodcut undergoes the National Gallery’s Infrared Imaging

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St. Christopher Woodcut being imaged using Osiris camera

    On Tuesday 15th January 2013 the Rylands were very pleased to welcome Rachel Billinge, from the National Gallery, and Ed Potten, Head of Rare Books at the University of Cambridge for some very exciting imaging.

Rachel brought with her an Osiris camera for high-resolution infrared reflectography. The camera was developed by Opus Instruments based on a prototype that was designed and built by the National Gallery‘s Science and Conservation departments. The Osiris camera records infrared light wavelengths from 900-1700 nanometres, reaching further in to the infrared light spectrum than a standard CCD sensor could. The camera takes many images of an item and automatically stiches each ’tile’ together, saving hours of post-processing time.

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St. Christopher Woodcut being imaged using Osiris camera

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View of Osiris capture as it happens, the camera automatically stitched together each ’tile’ to create a full high-resolution image of the page

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Rachel Billinge from the National Gallery working on a capture of the St. Christopher Woodcut using an Osiris camera

Rachel produced images of the St. Christopher Woodcut, in a bid to produce a legible image of the watermark to confirm, or otherwise, the dating of the Woodcut. The St Christopher woodcut, 1423, is the earliest dated example of European printing. It is preserved as an endpaper in a manuscript dated 1417 from Bohemia, the ‘Laus Virginis’. Rachel also imaged the Annunciation Woodcut, although no watermark is believed to be present in this print.

Members of staff from across the Library were on hand to support and analyse the images as they were produced. We await the results with bated breath… we will share the findings with you in a follow up post as soon as we possibly can.

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Analysing the results… watch this space!

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Spectral Imaging @CHICC

CLICK for animated gif showing the sequence of the light panels across the spectrum. from UV, through visible to infrared.

Recently at CHICC we have finally begun our tests with our new MegaVision spectral lighting panels. Micheal Toth who has worked on the spectral imaging of the Archimedes palimpsest and other cultural imaging projects joined us for a 2 day workshop. Michael also gave a great presentation to staff about his recent work on the Galen Palimpsest digitisation project, and the importance of creating an online repository for the data. Michael has also been working on an incredible spectral project within St Catherine’s Monastery in the Sinai desert, a wonderful in depth article can be found here.

The light panels work through the electromagnetic spectrum, emitting light from 12 different wavelengths, starting off in UV and working through visible into infrared. We removed the IR filter from our Phase One P45+ back to be able to pick up the invisible light. By photographing objects under this lighting system, we are able to see what is essentially hidden, either text under text, water marks, text on pasted down pages and text obscured by damage.

The 12 wavelengths captured; 365nm UV, 455nm Royal Blue, 470nm, Long Blue, 505nm Cyan,535nm Green, 570nm Amber, 625nm Red700nm IR,735nm IR, 780nm IR, 870nm IR, 940nm IR. This is a Coptic palimpsest fragment, which also has burn damage. Even without processing with ImageJ, we are getting visible results.

The 12 images captured  are then processed through open source software ImageJ. This is the more difficult part of the process. The software is incredibly powerful, but it takes time to process the images and create results. We are currently working with image scientist Bill Christens-Barry in the US who will guide us through imageJ, and work on the images we have collected so far.

We tested the system on a variety of different objects from our collections, to test how the lights can help us with different problems. The famous St. Christopher woodcut, to try and bring out the watermark on the pasted down page. The above Coptic Palimpsest fragment, inscriptions in the Gutenberg Bible that have faded, and most effective without processing, carbonised Greek papyrus fragments, that are barely legible, completely when photographed under normal conditions. The below image shows the difference between normal and infrared. Even without processing the images through ImageJ, you can see the text is now clear.

Carbonised Greek Fragment 222 folio 2.

We will be sending our captured images over to Bill who will guide us through the processing. We will have some more conclusive results soon.

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Illustrations of the Book of Job – now live!

As previously noted on this blog, our Rylands copy of Blake’s stunningly illustrated Night Thoughts has now been fully digitised and is available to view online.   This item, along with a second Blake work, a set of original engravings fashioned to illustrate the Book of Job (1825) form part of a collaborative academic digitisation project led by The John Rylands Library:  William Blake in Manchester “Among those dark, satanic mills”.  This project has been keenly supported by the University’s School of Arts, Histories and Cultures and by the Whitworth Art Gallery and it is hoped that digitisation will provide scholarly and public access to two items of immense cultural value whilst simultaneously preserving them for future generations.

We are now happy to announce that the second Blake volume in this project, the Book of Joba collection of Blake’s engravings detailing the sufferings of the biblical figure are now live online. These engravings are a rich, complex and densely layered collection of artworks and we are very lucky to have had the metadata descriptions for these engravings supplied by former Manchester University student Simon Spier.  Simon has provided a meticulously detailed interpretation of each of the engravings which serve to further enhance this wonderful resource for our online users. 

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Night Thoughts, Now Online

Edward Young’s highly acclaimed work The Complaint, or Night Thoughts, Young’s musings on death and loss was an extremely popular and successful eighteenth century poem.  In 1795 William Blake was commissioned by Richard Edwards to produce a series of illustrations for an edition published in 1797. 

Our Rylands copy of Blake’s illustrated Night Thoughts has now been fully digitised and is available to view online.  These stunningly beautiful illustrations compliment Young’s text wonderfully.  In the preface to the work Richard Edwards perfectly describes Blake’s artistry as ‘bold and masterly’ and that Blake had produced designs for Young’s work that ‘cannot be unnoticed or unadmired’.  It is certainly very hard to disagree with his analysis when viewing these hand coloured engravings.

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OpenCultures Conference 2012

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CHICC are pleased to announce that we will be hosting a stand at the OpenCultures Conference 2012.  Come along to see us if you are attending the conference!

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Digital Haggadah now available from iTunes

The recent digitised version of Rylands Hebrew MS6 is now available for download through iTunes, along with other incredible books from our collections. The Haggadah itself is currently part of an exhibition at the Metropolitan Museum of Art in New York. Do you have a favorite book or manuscript in the Rylands collection you’d like to see on your iPad?! Tell us here.

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CHICC goes to Blackpool!

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On Thursday 12th April, Carol and the CHICC photographers headed to Blackpool Illuminations to photograph some plans from their archive. It was a very successful trip and we were even treated to a personal tour of the Illuminations Factory. We were digitising a range of Illuminations plans which dated from the 1930s right up til the present day. All of the plans are stunning and we are looking forward to seeing them in Professor Vanessa‘s new book. So, watch this space! We will add some images of the plans themselves when the book is launched, but for now, heres some photos from our Illuminations tour.

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Japan, Described and Illustrated by the Japanese. Out Now!

Before Christmas, we were working again very closely with The Folio Society, to create a facsimile of the fabulous 10 volume copy of  Japan, Described and Illustrated by the Japanese we have in our collections. See this past post. Well, we are delighted to announce that the Folio Society edition is now available for pre-order!

One of the most opulent pictorial books ever published, Japan captures a vanished world in 259 hand-coloured photographs. Now, for the first time, this landmark work is reproduced in its entirety in two luxurious volumes

If it’s anything like our previous collaboration on Sharpe’s Birds of Paradise, it is guaranteed to be something special.

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